Comprising 24,000 verses in seven cantos, the epic contains the teachings of the very ancient Hindu sages. One of the most important literary works of ancient India, it has greatly influenced art and culture in the Indian subcontinent and South East Asia, with versions of the story also appearing in the Buddhist canon from a very early date. The story of Rama has constantly been retold in poetic and dramatic versions by some of India's greatest writers and also in narrative sculptures on temple walls. It is one of the staples of later dramatic traditions, re-enacted in dance-dramas, village theatre, shadow-puppet theatre and the annual Ram-lila (Rama-play).
Ramayana Story With Pictures Pdf
The epic's poetic stature and marvellous story means that the story of Rama has been constantly retold by some of India's greatest writers both in Sanskrit and regional languages. It is one of the staples of various dramatic traditions, in court drama, dance-dramas, and in shadow-puppet theatres. In northern India, the annual Ram-lila or 'Rama-play' is performed at the autumn festival of Dassehra to celebrate with Rama and Sita the eventual triumph of light over darkness.
The Ramayana manuscripts commissioned by Rana Jagat Singh of Mewar (1628-52) are among the most important documents of 17th-century Indian painting. Unlike most other Ramayana manuscripts, they have not been dispersed as individual paintings into various collections but remain largely intact. The huge scale of the project (with originally over 400 paintings) allowed the artists to focus on telling an epic story on the grandest scale.
Make your own puppets with the principal protagonists of the Ramayana and bring the grand old story to life! Puppets foster social interaction, communication, role-playing, imagination, storytelling, and listening! Use the puppets as aids to share the story of the Ramayana! Preschoolers work on prewriting skills and scissor skills when building the puppet theatre!
Ramayana the epic for its greatness owes a lot to the characters of Kaikeyi and Manthra. Ramayana has been composed to glorify the victory of the nobility of Rama over the evil of Ravana. Rama has been portrayed as an ideal man who possesses all possible noble qualities and as a role model for societies of all ages. The other characters by their small or large role act as catalysts to enrich his greatness. Of the various characters in the Ramayana, the female characters portray no less importance. The characters of Sita, Kaushalya, Mandodri, Trijata, Tara, Urmila, Kaikeyi and Manthra are prominent and play a vital role in the unfolding of the epic. These characters rise eminently with real performance of their roles of mothers, wives or daughters. The feminine characters beautifully display the rise and fall of the elements of human psychology. However, the character of Kaikeyi holds a separate place as it is she who changes the course of the epic.Initially, in the epic, the three queens Kaushalya, Sumitra and Kaikeyi had harmonious relationship amongst them. However, an environment of strained relations and disbelief soon generates as the story unfolds. The attributory vices of Kaikeyi's characters that are generally visible include jealousy, cruelty and surmounting ambitions. However, the less visible attributes of her character include her simple-heartedness, loving nature, bravery, and her repentance.The typical portrayal of Kaikeyi's character by the majority of the writers is that of a woman whose ambitions led to the ordeals and miseries of others such as the death of Dasaratha, and the exile of Rama, Lakshmana, and Sita. However, a critical view of the epic displays enough pieces of evidence of positivity in the character of Kaikeyi. Therefore, there exists a need for a detailed analysis of Kaikeyi's character in the light of a comparative study of the epic written by many sages, poets and writers such as Valmiki, Tulsidas, Maithili Sharan Gupt, R K Narayan, Kamban. This paper shall endeavour to bring forth this less-discussed aspect of Kaikeyi's character from the epic.This paper tries and explores the different versions of the epic with a vision to spell out the positivity of Kaikeyi's character which has remained a little unexplored region. Texts such as the Valmiki Ramayana, the Ramcharitmanas, the Adhyatma Ramayana, the Kamba Ramayanam, the Kashmiri Ramayana, and the Ramayana Mimansa have been explored and analyzed. The paper attempts a textual analysis, and thus a majority of observations are substantiated by relevant references as thematic corroborations from different versions of the epic. Transliteration has not been carried out or endeavoured.
In the centenary year of The Waste Land and Ulysses, the book that has absorbed and excited me most is one that extends the tradition of projecting epic into the cinema of modernity. Vivek Narayanan\u2019s After (NYRB Poets), the inspired labour of a decade, derives more than 500 pages of new poems in English from the Sanskrit of Valmiki\u2019s Ramayana. Working a free verse line as fine and tight as wire, Narayanan taps narrative for lyric electricity, all the while keeping the scaffolding of the story cycle \u2014 and the city of scholarship that surrounds it \u2014 in view with his generous notes. 2ff7e9595c
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